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Speculations on the Infrared - Virtual Opening Reception

  • EFA Project Space 323 W 39th St New York, NY, 10018 United States (map)

Saturday, February 6, 2021, 7-9:00 PM EST, presented via Zoom. Featuring a curatorial walkthrough, a live discussion with Tela Troge, Tribal Attorney of the Shinnecock Nation and organizer of Warriors of the Sunrise, and a DJ set by Aerial (Devin Ronneberg) and DJ bb buffalo (Suzanne Kite).

For the full schedule of public events, visit: efaproject.space/speculations-on-the-infrared

PARTICIPANT BIOS

Christopher Green is a writer and art historian based in New York. His research and writing focus on modern and contemporary Indigenous art and primitivisms of the historic and the neo-avant-garde. His criticism, essays, and reviews have appeared in Aperture, Art in America, Frieze, and the Brooklyn Rail, among other publications, and he has contributed catalog essays to the Heard Museum, New Museum, Artists Space, the James Gallery. His scholarly research has been published in ARTMargins, Winterthur Portfolio, ab-Original, and BC Studies, and in 2019 he co-edited issue 11 of SHIFT: Graduate Journal of Visual and Material Culture, “BLOOD AND EARTH AND SOIL.” His research has been supported by the Dedalus Foundation, the Smithsonian American Art Museum and National Museum of the American Indian, the International Council for Canadian Studies, the Sealaska Heritage Institute, Lost & Found: The CUNY Poetics Document Initiative, and the Robert Rauschenberg Foundation. He holds a PhD from the Graduate Center, City University of New York, and currently serves as Visiting Assistant Professor of art history at the University of North Texas.

Kite aka Suzanne Kite is an Oglala Lakota performance artist, visual artist, and composer raised in Southern California, with an MFA from Bard College’s Milton Avery Graduate School, and is a PhD candidate at Concordia University, Research Assistant for the Initiative for Indigenous Futures, and a 2019 Trudeau Scholar. Her research is concerned with contemporary Lakota ontologies through research-creation, computational media, and performance practice. Recently, Kite has been developing a body interface for movement performances, carbon fiber sculptures, immersive video & sound installations. Devin Ronneberg is a multidisciplinary artist born, raised, and living in Los Angeles, working primarily in sculpture, sound, image-making, networking, engineering, and computational media, his work is currently focused on the unseen implications of emergent technologies and artificial intelligence, information control and collection, and the radiation of invisible forces. Ronneberg’s work has most recently exhibited at MoCNA, The Bemis Center for Contemporary Arts, and Imaginenative 2019. Ronneberg co-founded the Los Angeles underground imprint Private Selection Records, and produces, djs, and performs live under the Aerial moniker. He holds a BFA in music technology from California Institute of the Arts and is an experimental aircraft designer / builder at Berkut Engineering.

Tela Loretta Troge, Esq. is a member of the Shinnecock Indian Nation and a member of the Hassanamisco Nipmuc Tribe. She recently organized the Warriors of the Sunrise Sovereignty Camp 2020 in an attempt to raise awareness about the plight of the Shinnecock people. Tela graduated from Michigan State University College of Law with a Juris Doctor and certification in Indigenous Law and Policy from the Indigenous Law Program. She has been fighting for tribal sovereignty for the past 5 years as the attorney with the Law Offices of Tela L. Troge, PLLC. 

Image: Kite and Devin Ronneberg, Fever Dream (still), 2021. Interactive multimedia installation (television, projector, LIDAR detector, digital video). Courtesy the artists. Image description: A black and white image of the lower 2/3s of a man’s fac…

Image: Kite and Devin Ronneberg, Fever Dream (still), 2021. Interactive multimedia installation (television, projector, LIDAR detector, digital video). Courtesy the artists. Image description: A black and white image of the lower 2/3s of a man’s face, appearing to be from the 1950s or 60s, with a subtitle “to the center of settler mythologies:” overlaid in the center of the screen.

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