Museum Without Building

August 28–September 8, 2019

A Project by Yona Friedman

Curated by Sylvie Boulanger, Dylan Gauthier, and Nicholas Vargelis

Fanny Allié
Laetitia Badaut Haussmann
Théodora Barat
A Constructed World with Stephanie Lin
Pradeep Dalal
Yona Friedman
Richard Jochum
Dana Levy
Flora Moscovici
MDR (Maria D. Rapicavoli)
Dannielle Tegeder with Christian Lynch
Nicholas Vargelis

A production of EFA Project Space in collaboration with cneai= and Le Petit Versailles.

Best known for his concepts of mobility and improvisation in architecture, Yona Friedman’s works inherently support practicability and flexibility, two attributes that seem increasingly important in response to the current ecological crisis. Friedman’s projects promote reuse and salvage, discarding the one-upmanship of contemporary architecture, and protecting the human need for housing from becoming a simple matter of economics.  

“Starting in the late 1950's, I had the idea of making a 'mobile architecture.' It was important that the inhabitant and user could be able to design their own living quarters by themselves. This [architectural] program involved a technique which allowed one to easily move all parts of the structure (walls, ceilings, floors) into any position, as simple as moving furniture.’’ ~ Yona Friedman, Biosphere, 2018

Museum Without Building is a collaborative and itinerant proposal for an exhibition based on Friedman’s work. Installed and activated at sites across New York City this summer, for 10 days it will be hosted as a project within the Elizabeth Foundation for the Arts Project Space. Museum Without Building envisions the construction of an open format architectural structure that invites in artwork, performances, dinners, workshops and research in response to Friedman’s text, “Biosphere” which reflects on the need to build less, to improvise more with what we already have, and stands in opposition to the monolithic and egomaniacal architectural tendencies that we currently face in global urban centers.

For Museum Without Building, we have invited in 11 artists whose work displays a natural affinity with the themes and techniques inherent to Friedman’s oeuvre to make or share work in response to the Biosphere text along with an assemblage of work by Friedman himself.  The invited artists reside and work in Paris (invited by the CNEAI=) or are in residence as members of the EFA Studios Program.

As part of the overarching public art event dedicated to Friedman’s work, earlier in the summer, during the course of a public workshop at AiA Center for Architecture, the public constructed several Museum Without Buildings following Friedman’s plans out of multicolored hula hoops.  These modules function as "stages" for a living artistic ecosystem, and a ground onto which we might hang, etch, project, and develop new modes of living and being — if only for a time.

A new publication of Yona Friedman’s text Biosphere will be available for purchase at the exhibition opening and available thereafter through the EFA Project Space website.

The work of Dannielle Tegeder and Christian Lynch is created with support by the Pratt Institute School of Architecture with contributions by the following students: Alison Yoo, Devin Dzierba, Marley Olson, Rachel Bouraad, Beatriz Morum de Santa, Dayoon Oh, Peiye Yang + Hamza Hamdeh, Aryton Lilles + Cal McAullife, Graham Rose + Raymond Assis, Crystal Chen + Suvian Tan, Pintian (Ray) Liu, Sabrina Tedino + Serra Ozdemir, Adriana Hinojosa + Susana Chinchila, Li Jin, Haohan Tang and Guixian Zhang, with additional models provided by Lynch Eisinger Design Architects.

Exhibition Photography by Yann Chashanovski

Yona Friedman, Spatial City, 1959-2019

Yona Friedman, Spatial City, 1959-2019

Theodora Barat, Natural Acrylic Stones, 2019.
Richard Jochum, One For Each Hand, 2019.
Flora Moscovici, Hula hoop Chack Chack, 2019.

MATERIALS

Press Release

CNEAI=’s report on Museum Without Buildings

Yona Friedman, Biosphere (2018)

A COPRODUCTION OF EFA PROJECT SPACE WITH CNEAI= & LE PETIT VERSAILLES  

The Cneai is a national center for contemporary art which for twenty years has been inviting both emerging and renowned artists whose art engages with societal issues. Their works reflect their sensitivity to all areas of human activity. Committed to the creation of communities, the Cneai fosters the financial and cultural empowerment of artists within the framework of collaborative and interdisciplinary practices: publishing, graphic design, digital creation, social work, writing, music, production, etc. The Cneai is committed to the promotion of culture beyond the market and the development of new models for production and transmission of artistic forms, particularly those that disrupt established categories. It reaches out to all audiences at every stage of the creative process (from meeting with artists to exhibitions). http://www.cneai.com/

Le Petit Versailles is a public garden from the New York City Parks Dept. and GreenThumb, created in 1996 and cared for by Allied Productions Inc. (a non-profit organization focusing on artistic creation since 1981).  This garden measuring 7 x 22 meters opens onto Houston Street and Second Street, was created on the site of a former auto-body chop shop. A stage is prominently placed in the center of the garden forming a space where artists come to produce and expose their works.  The garden also hosts a rich program with a wide range of artistic disciplines focusing on the environment, social and progressive questions and also take into account the site-specific nature of the garden. http://alliedproductions.org/le-petit-versailles/

Left to right:
Laetitia Badaut Haussman,
The Silk Prints, 2019. 4 Posters, Inkjet on Silk, 55 x 67 in. each.
Yona Friedman,
Museum Without Building, 2019. Hula hoops and white tape, dimensions vary.
Nicholas Vargelis, Prise, Interrupteur, Douille, 2019. Incandescent bulbs, bent electrical pipe, incandescent colored bulbs, outlet, switches, cable, two video cube monitors, video loops, dimensions vary.
Dana Levy, Silent Among Us, 2008. Video, 5 min. run time each, looped.
Pradeep Dalal, Samagri (1-4), 2015-2019. Digital chromatic prints on cardboard box supports, 24 x 20 x 6in. each,
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Yona Friedman, Museum Without Building, 2019. Hula hoops and white tape, dimensions vary.
Pradeep Dalal, Samagri (1-4), 2015-2019. Digital chromatic prints on cardboard box supports, 24 x 20 x 6in. each.
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Laetitia Badaut Haussman, The Silk Prints, 2019. 4 Posters, Inkjet on Silk, 55 x 67 in. each.
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Nicholas Vargelis, Prise, Interrupteur, Douille, 2019. Incandescent bulbs, bent electrical pipe, incandescent colored bulbs, outlet, switches, cable, two video cube monitors, video loops, dimensions vary.
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Back:
Nicholas Vargelis,
Prise, Interrupteur, Douille, 2019. Incandescent bulbs, bent electrical pipe, incandescent colored bulbs, outlet, switches, cable, two video cube monitors, video loops, dimensions vary.
Front:
Laetitia Badaut Haussman, The Silk Prints, 2019. 4 Posters, Inkjet on Silk, 55 x 67 in. each.
On floor:
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Front:
Yona Friedman,
Museum Without Building, 2019. Hula hoops and white tape, dimensions vary.
Back:
MDR (Maria D. Rapicavoli), New York Sectional Chart, 2016. Carved alabaster stones and 2 channel video, dimensions vary.
Right:
Fanny Aillé, Interiors, 2019. Mixed media on fabric, 62 x 45 in.

Fanny Aillé, Interiors, 2019. Mixed media on fabric, 62 x 45 in.

Left to right:
Dannielle Tegeder
in collaboration with Christian B. Lynch, Utopian Ghost Model Archive, 2019. Installation w. architectural models, dimensions vary.
Pradeep Dalal, Samagri (1-4), 2015-2019. Digital chromatic prints on cardboard box supports, 24 x 20 x 6in. each.
Laetitia Badaut Haussman, The Silk Prints, 2019. 4 Posters, Inkjet on Silk, 55 x 67 in. each.
Dana Levy, Silent Among Us, 2008. Video, 5 min. run time each, looped.
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Yona Friedman, A Long Interview, 2017. Video, 150 min. total run time each, looped.

Laetitia Badaut Haussman, The Silk Prints, 2019. 4 Posters, Inkjet on Silk, 55 x 67 in. each.
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Dannielle Tegeder and Christian B. Lynch, Utopian Ghost Model Archive, , 2019. Installation w. architectural models, dimensions vary.

Back to front:
Theodora Barat,
Natural Acrylic Stones, 2019. Engineered stones, projected film, approx. 12 x 8 ft.
Richard Jochum, One For Each Hand, 2019. Stones and crochet, 2 in., round (approx. each).
Flora Moscovici, Hula hoop Chack Chack, 2019. Latex paint on floor, approx. 25 x 40 ft.

Theodora Barat, Natural Acrylic Stones, 2019. Engineered stones, projected film, approx. 12 x 8 ft.

A Constructed World with Stephanie Lin, Fragment:01 (Live Eels), 2019. Bamboo, film projection on paper screen, epoxy putty, hula hoop, copper, paper, various objects, 6.5ft h x 5ft w x 3ft d.

Left to right:
Yona Friedman,
Slideshow (Improvisation in Architect, Build Less, Critical Groupsize, Improvise, Architecture Without Building), 2019. Laser print on paper, dimensions vary.
Yona Friedman, Museum Without Building, 2019. Hula hoops and white tape, dimensions vary.
Laetitia Badaut Haussman, The Silk Prints, 2019. 4 Posters, Inkjet on Silk, 55 x 67 in. each.
Theodora Barat, Natural Acrylic Stones, 2019. Engineered stones, projected film, approx. 12 x 8 ft.
Flora Moscovici, Hula hoop Chack Chack, 2019. Late paint on floor, approx. 25 x 40 ft.

Yona Friedman, Slideshow (Improvisation in Architect, Build Less, Critical Groupsize, Improvise, Architecture Without Building), 2019. Laser print on paper, dimensions vary.
Yona Friedman, Gribouilli, 1980-1990. Video.

Yona Friedman, Slideshow (Improvisation in Architect, Build Less, Critical Groupsize, Improvise, Architecture Without Building), 2019. Laser print on paper, dimensions vary.

MDR (Maria D. Rapicavoli), New York Sectional Chart, 2016. Carved alabaster stones and 2 channel video, dimensions vary.

MDR (Maria D. Rapicavoli), New York Sectional Chart, 2016. Carved alabaster stones and 2 channel video, dimensions vary.