Soft and Wet

September 18–November 16, 2019

Curated by Sadia Shirazi

Arooj Aftab
Beverly Buchanan
Crystal Z Campbell
Caroline Key
Ana Mendieta
Andy Robert
Julie Tolentino
Zarina
Constantina Zavitsanos

Opening Reception & Curatorial Walkthrough: Wednesday, September 18, 2019, 5-8 PM

EFA Project Space is pleased to present Soft and Wet, curated by Sadia Shirazi. The exhibition features works by Arooj Aftab, Beverly Buchanan, Crystal Z Campbell, Caroline Key, Ana Mendieta, Andy Robert, Julie Tolentino, Zarina, and Constantina Zavitsanos.  

The exhibition cites Prince’s 1978 single, “Soft and Wet” and Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, which was co-curated by Ana Mendieta, Kazuko Miyamoto, and Zarina at A.I.R. Gallery in 1980. These citations serve as reference points to help us locate fleshy, formalist impulses in the practices of contemporary artists that echo those of artists from the 1970s. Working through sound, vision, vibration, touch, and breath, the artists in Soft and Wet activate multi-sensory responses that move beyond the linguistic registers of a singular voice and questions of individuated agency dominating discourses of representational art. The artists turn their formalism towards questions of flesh, fugitivity, and consent in relation to the nation-state, neoliberal capitalism, and the medical–industrial complex, while stretching formalism beyond the assumption of hegemonic subjects as the sole inheritors of its legacy. The works in this show are experiments in, and explorations of, what it means “to consent not to be a single being” as Édouard Glissant writes. The artists in Soft and Wet think with and through one another, invoking the artist whose song gives the exhibition its title, to feel out the contours of other ways of being in relation. They join him in saying—We’d be so lost, in our mouths, the best, I feel it everyday (every way).

EVENTS

Saturday, October 19, 2019, 5-7 PM
Soft and Wet: Screening, Lecture Performance and Curator Conversation

Saturday, November 16, 2019, 5:30-7 PM
Soft and Wet Publication Launch & Conversation

Exhibition images by Matt Vicari

Ana Mendieta. Burial Pyramid, 1974. Super-8mm film transferred to high-definition digital media, color, silent. Running time: 3:17 minutes © The Estate of Ana Mendieta Collection, LLC, Courtesy Galerie Lelong & Co., Licensed by Artists Rights So…

Ana Mendieta, Burial Pyramid, 1974. Super-8mm film transferred to high-definition digital media, color, silent. Running time: 3:17 minutes © The Estate of Ana Mendieta Collection, LLC, Courtesy Galerie Lelong & Co., Licensed by Artists Rights Society (ARS), New York

Left to right:
Zarina,
Corners, 1980. Cast paper. 31.5 x 21.5 x 1 inches.
Caroline Key, Khôra, 2019. Video, flowers, glass. 9 minutes total run time each, looped.
Julie Tolentino, Untitled, 2019. Water bed, wood, rope. Dimension variable.
Andy Robert, After Prince, 2019. Ink, watercolor, and oil on linen. 8 x 7 ft.
Crystal Z. Campbell, HeLa Project: Friends of Friends (Six Degrees of Separation), 2013. Vintage collection of bacteria slides circa 1940’s, steel, LED strips, Car Paint, Plexiglass. 4 x 6 x 72 inches.
Crystal Z. Campbell, Portrait of a Woman I, 2013. Custom 3-D laser cut solid glass cubes of HeLa cells (image of HeLa cells made with Dr. C. Backendorf and G. Lamers) and Henrietta Lacks, upcycled Wood, MDF. 36 x 6 x 6 inches.
Crystal Z. Campbell, Portrait of a Woman II, 2013. Custom 3-D laser cut solid glass cubes of HeLa cells (image of HeLa cells made with Dr. C. Backendorf and G. Lamers) and Henrietta Lacks, upcycled Wood, MDF. 36 x 6 x 6 inches.

Zarina, Corners, 1980. Cast paper. 31.5 x 21.5 x 1 inches.

Caroline Key, Khôra, 2019. Video, flowers, glass. 9 minutes total run time each, looped.

Julie Tolentino, Untitled, 2019. Water bed, wood, rope. Dimension variable.

Arooj Aftab, Soft and Wet “Wall Text”, 2019. Sound file, sound cone, projector, media player. Dimensions variable.

Left to right, on wall:
Andy Robert,
After Prince, 2019. Ink, watercolor, and oil on linen. 8 x 7 ft.
Beverly Buchanan, Black Walls, 1977. Acrylic on paper. 11 x 14 inches.
Crystal Z. Campbell, HeLa Project: Friends of Friends (Six Degrees of Separation), 2013. Vintage collection of bacteria slides circa 1940’s, steel, LED strips, Car Paint, Plexiglass. 4 x 6 x 72 inches.

Front:
Crystal Z. Campbell, Portrait of a Woman I, 2013. Custom 3-D laser cut solid glass cubes of HeLa cells (image of HeLa cells made with Dr. C. Backendorf and G. Lamers) and Henrietta Lacks, upcycled Wood, MDF. 36 x 6 x 6 inches.
Crystal Z. Campbell, Portrait of a Woman II, 2013. Custom 3-D laser cut solid glass cubes of HeLa cells (image of HeLa cells made with Dr. C. Backendorf and G. Lamers) and Henrietta Lacks, upcycled Wood, MDF. 36 x 6 x 6 inches.

Andy Robert, After Prince, 2019. Ink, watercolor, and oil on linen. 8 x 7 ft.

Crystal Z. Campbell, Portrait of a Woman I, 2013. Custom 3-D laser cut solid glass cubes of HeLa cells (image of HeLa cells made with Dr. C. Backendorf and G. Lamers) and Henrietta Lacks, upcycled Wood, MDF. 36 x 6 x 6 inches.

Crystal Z. Campbell, HeLa Project: Friends of Friends (Six Degrees of Separation), 2013. Vintage collection of bacteria slides circa 1940’s, steel, LED strips, Car Paint, Plexiglass. 4 x 6 x 72 inches.

Ana Mendieta, Burial Pyramid, 1974. Super-8mm film transferred to high-definition digital media, color, silent. Edition of 6 with 3 APs GP0879. 4 minutes, 9 seconds run time each, looped.

Beverly Buchanan, Black Walls, 1977. Acrylic on paper. 11 x 14 inches.

Constantina Zavitsanos, glory, 2013. Soft sleeved hole in drywall, with vibration and sound. Dimensions variable.