Di Tian

About

Di Tian is a New York-based new-media artist from Chongqing, China. He received his B.F.A degree from School of the Art Institute of Chicago and M.F.A degree from University of Pennsylvania. Di's current artworks involve a variety of mediums, such as interactive installations, computer graphics, digital design, experimental games, and more. His art has been featured in a range of international exhibitions, publications, charity events, and so on, such as his solo exhibition “Mosquitoes Also Can Dream” at DAD in Beijing (2008), personal charity event “For Children of China” held by Amity Foundation in Shanghai (2011), his solo artworks collection published by Beijing Xiron Group (2013), “Contrasts” by Loosen Art Gallery in Rome (2021), and Chengdu Biennale (2023). Di's current art practice navigates through the human experiences in flux. He delves into the complex interplay between individual identity and societal dynamics, especially within contemporary China. Through his works, he explores themes of existential angst, social expectations, and the search for meaning amidst modern challenges. Each piece serves as a mirror reflecting the inner turmoil and outer realities faced by individuals navigating the complexities of urban life and societal pressures. Through fusion of different mediums, Di encourages the audience to draw connections between their own experiences and his artworks, prompting them to contemplate the resonance and critical reflections they evoke in today's rapidly evolving world.Through Di's art, he challenges the notion of art as a solitary experience. He invites the audience to linger in front of his works to engage deeply with his art, encouraging more than a cursory glance by fostering active participation and contemplation and transforming them from mere observers into integral components of the artwork. Each piece is crafted not just for visual appeal, but for thought and emotional connection, encouraging viewers to reflect and find personal resonance within his art. Di always considers his works as a bridge with the audience rather than a personal and privatized existence.